Mobile Map Guide,

Downtown Side, Stops 1-6

This guide is a supplement to the $3 art and architecture guide that is available at the Visitors Center at 506 Fifth Street in downtown Columbus.

01 – Visitors Center

This was originally the home of John Storey, who owned a mill that operated in the former Columbus Inn, the multi-story brick building across the street to the southwest.

The building has been repurposed multiple times – as a lodge, a furniture store, a Boy’s club, newspaper offices, and now a visitors center.

In 1973, J. Irwin Miller’s wife, Xenia, directed the renovation of the home into a visitors center for Columbus.

The back of the building was added in 1995 by Kevin Roche. His seamless addition repeats the original design, a technique known as adaptive reuse. Roche received architecture’s highest prize, the Pritzker Prize, in 1982.

The Dale Chihuly chandelier installation, near the steps to the second floor, was suggested by Roche.

02 – Visitors Center Signage

In 1962, Paul Rand, one of America’s premier graphic artists, created the trademarked corporate logo and identity for Cummins Engine Company – he continued as a consultant for Cummins from 1961-1996. In 1974, Rand created the “Dancing Cs” logo letterhead, signage, visitor maps, and architectural tour markers for the Columbus Area Visitors Center. The Dancing Cs branding has been incorporated in several designs, including tour buses, the Commons play area’s Luckey Climber, as well as a popular bike rack design.

Paul Rand’s most widely known works are the corporate identities, many of which are still in use, for IBM, ABC, Westinghouse, UPS, and Cummins Engine.

Rand had a unique ability to clarify how his corporate identities would meet his clients’ needs.

Fellow designer Louis Danziger said Rand “almost single-handedly convinced business that design was an effective tool. Anyone designing in the 1950s and 1960s owed much to Rand, who largely made it possible for us to work. He, more than anyone else, made the profession reputable. We went from being commercial artists to being graphic designers largely on his merits.”

03 – Chandelier and Persians

When it was installed, Dale Chihuly was about a year from creating his first major exhibition, in Venice.

Stop by in the evening and view it from outside, when the chandelier shows off its unique feature – it’s illuminated by neon tubes inside!

The accompanying Persians were named by Chihuly, who simply thought the name fit the shapes.

Want to own your own piece of Chihuly glass? The Visitors Center is one of the few places where you can purchase original Chihuly glass work and prints, in the gift shop.

04 –  Modern Totem

The sculpture is an obelisk from two stacked, black granite stones, creating a modern and minimalist interpretation of a totem, an ancient symbol of community, gathering, and family.

The library’s stone steps came from the same quarry as these granite stones.

05 – Library

Pei also wanted the plaza to create an urban space and convinced the community to close Lafayette Street to achieve this.

I.M. Pei is also known for his design of the Louvre Pyramid in Paris, the John F. Kennedy Library in Boston,  and the Rock & Roll Hall of Fame in Cleveland.

Pei received architecture’s highest prize, the Pritzker Prize, in 1983.

The 1987 addition in the back is by local architect Jim Paris, who conferred with Pei during the process.

06 – Large Arch

The site and size of the work encourages people to walk around and through the sculpture, as Moore intended, he had said, “As a young sculptor, I saw Stonehenge and ever since I’ve wanted to do work that could be walked through and around.”

The sculpture was a gift to the community from J. Irwin and Xenia Miller.

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